Osborne, Walter

Irish, 1859-1903 Irish painter. The son of the animal painter William Osborne (1823-1901), he trained in the schools of the Royal Hibernian Academy (1876-81). In 1881 he won the Royal Dublin Society's Taylor scholarship and went to study at the Koninklijk Academie voor Schone Kunsten, Antwerp. Charles Verlat was the professor of painting, and Antwerp was then at the height of its popularity with students from the British Isles. In Antwerp and subsequently in Brittany, Osborne made contact with painters of the Newlyn school and other British naturalists. In Brittany he painted Apple Gathering, Quimperle (1883; Dublin, N.G.), a small greenish-grey picture of a girl in an orchard, which in subject and treatment shows the influence of Jules Bastien-Lepage. Throughout the 1880s Osborne worked in England, joining groups of artists in their search for the ideal naturalist motif. In the autumn of 1884 he was at North Littleton, near Evesham (Heref. & Worcs), where he painted Feeding Chickens in weather so cold that his model, a young peasant girl, nearly fainted. It is carefully drawn but painted with the square-brush technique characteristic of Bastien-Lepage's followers, and is very close to the contemporary work of George Clausen and Edward Stott (1855-1918). At Walberswick in Suffolk he painted October Morning (1885; London, Guildhall A.G.), a carefully studied plein-air work using bright dots of pure colour on a base of beige and grey. During this time Osborne gave careful attention to the showing of his work. He exhibited regularly at the Royal Hibernian Academy in Dublin from 1877 and at the Royal Academy in London from 1886.


       Prev  1   Next
  Prev Artist       Next Artist     

   
    

Osborne, Walter An October Morning oil


An October Morning
Painting ID::  19701
An October Morning
1885 Oil on canvas Guildhall Art Gallery, London.
1885 Oil_on_canvas Guildhall_Art_Gallery,_London.
   
   
     

Osborne, Walter A Scene in Phoenix Park oil


A Scene in Phoenix Park
Painting ID::  19702
A Scene in Phoenix Park
Oil on canvas National Gallery of Ireland, Dublin.
Oil_on_canvas National_Gallery_of_Ireland,_Dublin.
   
   
     

Osborne, Walter Mrs. Noel Guinness and her Daughter, Margaret oil


Mrs. Noel Guinness and her Daughter, Margaret
Painting ID::  19703
Mrs. Noel Guinness and her Daughter, Margaret
Oil on canvas Private collection.
Oil_on_canvas Private_collection.
   
   
     

Osborne, Walter A Children's Party oil


A Children's Party
Painting ID::  19704
A Children's Party
Oil on canvas Private collection.
Oil_on_canvas Private_collection.
   
   
     

Osborne, Walter Apple Gathering Quimperle oil


Apple Gathering Quimperle
Painting ID::  27992
Apple Gathering Quimperle
1883 Oil on canvas 58 x 46cm(22 7/8 x 18 1/8in) National Gallery of Ireland,Dublin (mk63)
   
   
     

       Prev  1   Next
Prev Artist       Next Artist     

     Osborne, Walter
     Irish, 1859-1903 Irish painter. The son of the animal painter William Osborne (1823-1901), he trained in the schools of the Royal Hibernian Academy (1876-81). In 1881 he won the Royal Dublin Society's Taylor scholarship and went to study at the Koninklijk Academie voor Schone Kunsten, Antwerp. Charles Verlat was the professor of painting, and Antwerp was then at the height of its popularity with students from the British Isles. In Antwerp and subsequently in Brittany, Osborne made contact with painters of the Newlyn school and other British naturalists. In Brittany he painted Apple Gathering, Quimperle (1883; Dublin, N.G.), a small greenish-grey picture of a girl in an orchard, which in subject and treatment shows the influence of Jules Bastien-Lepage. Throughout the 1880s Osborne worked in England, joining groups of artists in their search for the ideal naturalist motif. In the autumn of 1884 he was at North Littleton, near Evesham (Heref. & Worcs), where he painted Feeding Chickens in weather so cold that his model, a young peasant girl, nearly fainted. It is carefully drawn but painted with the square-brush technique characteristic of Bastien-Lepage's followers, and is very close to the contemporary work of George Clausen and Edward Stott (1855-1918). At Walberswick in Suffolk he painted October Morning (1885; London, Guildhall A.G.), a carefully studied plein-air work using bright dots of pure colour on a base of beige and grey. During this time Osborne gave careful attention to the showing of his work. He exhibited regularly at the Royal Hibernian Academy in Dublin from 1877 and at the Royal Academy in London from 1886.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings